Robert Rauschenberg

John Baldessari, Ann Hamilton, Frank Gehry, Analia Saban, Richard Serra, Toba Khedoori, and Tacita Dean are among the esteemed artists who have editions with Gemini GEL. Gemini Gel at Joni Moisant Weyl founder Joni Moisant Weyl tells us more

The multi-disciplinary artist has chosen one of his beautiful, idiosyncratic dingbat drawings for the limited edition print

The co-founder of the fine art design objects hub chooses her favorite works from Artspace's archive to celebrate our tenth anniversary

Friends coming over to admire the latest addition to your collection? Here's what to say about the artist's work to visitors

There is a fine line between a priceless piece of art and an art piece that is deemed literally price-less. We looked at the differences between an artwork that is destroyed accidentally, and one that is destroyed to further the conversation of art.

In this epilogue of “Committing the Perfect Crime: Sexuality, Assemblage and the Postmodern Turn in American Art” (2008) from Phaidon’s 'Art & Queer Culture,' Johnathan Katz examines the relationship between Rauschenberg’s assemblage and homosexuality.

Advancing the fields of painting, photography, performance, and more, Rauschenberg's work is inextricable from the history of art as a whole.

Gagosian Gallery's Madison Avenue location exhibits a collection of drawings made in the middle of Ruscha's career. These essays on "Single Words" and "Thoughts & Phrases" shed lights on this segment of the artist's prolific career.

What would you rather pay for big-name artists like Robert Rauschenberg, Jonas Wood, Robert Indiana, and Ed Ruscha—millions or hundreds? If you answered hundreds, you've come to the right place.

Lawrence Weiner talks with Bejamin Buchloh about setting off explosives in national parks, the relationship between design and class, and finding Godard.

Owen Duffy writes about why the 1968 essay "The Dematerialization of Art" applies to more than just art and remains relevant in our current tech-heavy age.

From nascent art scenes to the rise of rightwing populism, the past 12 months have given us a lot to think about; here’s a selection of some of our deepest dives from 2016.

With the Miami art fairs beckoning the art world to warmer climes, here are the artists to keep an eye out for this month.

Excerpted from Phaidon's Going Once, this list features artworks by Jasper Johns, Louise Bourgeois, Damien Hirst, Tracey Emin, Jeff Koons, and more.

Phaidon's new title Going Once is filled with record-breaking lots from Christie's auction house's 250 years of business. Here, we've chosen the most compelling and historically significant to showcase.

For the latest in our interview series around Phaidon's Vitamin P3 compendium of contemporary painting, Artspace’s Loney Abrams met the voluble artist to discuss his experience as a rare black artist in the '70s downtown scene, and his secre

To celebrate the release of the museum's extensive exhibition archives, we've delved into some of the most fascinating, influential shows of the 1960s.

Create custom color combinations and never clash again with this basic primer, revealing time-honored secrets that artists have been relying on for over 200 years.

Curator Adrienne Edwards discusses the heady ideas animating her latest group show, which features 29 A-list artists from Robert Rauschenberg to Wangechi Mutu.

With the dust settled, what did we learn from the auctions? Some things will surprise you.

The must-see show "Electronic Superhighway," at the Whitechapel Gallery in London, traces computer art all the way from Nam June Paik (who coined the title phrase) to the digital wunderkind Oliver Laric. Here are five works not to miss.

Galerie Perrotin's current exhibition is a spectacular introduction to the work of a largely unsung master of 20th century painting.

From a pioneer of digitally informed painting to a white-hot young paragon debuting her latest body of work, these are the artists you’ll be talking about this month.

In an exclusive interview with the legendary artist, who passed away this week, Andrew M. Goldstein spoke to Kelly about his inspirations, his Paris years chasing Picasso, and what color means to him.

As 2015 comes to a close, Artspace's Karen Rosenberg takes a look back at one of the defining trends of the past year.

With the British collective's victory in the Tate's annual art contest making waves in the field, here are a few other practitioners who straddle the art/architecture fence (including the author of "Wave Field").

In this excerpt from Phaidon's Defining Contemporary Art, the curator and art historian Bice Curiger describes the formal and conceptual elegance of the artist's seminal 2007 photo series.

Some of the most innovative artworks of the past half-century took the form of magazines. Here are a few you'll want to flip through (only one, alas, is still in print).

Here's a survey of the two-dimensional wares that are running rampant at the fair this year.

We toured the aisles of this year's impressively robust edition of the Midwest fair to bring you the choicest gems around.

In an interview with Artspace's Karen Rosenberg, the sculptor talks about her first show in the Pacific Northwest and the lofty inspirations for her art of "guttural physicality."

The former Hollywood gallerist explains the philosophy and data behind his controversial emerging-artist ranking system in an interview with Andrew M. Goldstein.

In this week's installment of Weekend Reads, we survey worthwhile stories from around the web that can be savored in bed, in the bath, or beyond.

the Brussels-based connoisseur speaks about his dissatisfactions with the current gallery system, and where he thinks contemporary art will be in 2150.

If there's one thing that can be gleaned from this year's terrific edition of the fair, it's that artists are really letting their freak flags fly when it comes to the materials they choose to work with.

We broke down the main exhibition's artist list for a primer on themes in the big show.

In interview, the noted architect explains how art should function in a space, what drives him crazy about other people's houses, and why artists tend to have the messiest collections

In advance of the museum's grand reopening, we spoke to its chief curator about how the new building has given the Whitney a chance to rethink its future—and its past.

The performance artist describes his appreciation for the innovative role Björk has played in his own development and that of 21st-century aesthetics.

From the younger-than-Jesus granddaddy of the Post-Internet kids to one of today's fastest-rising painters, these are the artists everyone will be talking about this month.

We wandered the aisles of Paris’s blue-chip contemporary-art fair in search of compelling artworks—and a sense of the atmosphere in the city in the wake of Paul McCarthy’s attack.

We toured the third edition of Chicago's contemporary art fair to find some of the most exciting works on offer in the aisles.

A primer on the immensely erudite scholar of contemporary and Renaissance art alike—who bridged the two with humor, irreverence, and generous helpings of humanism.

We survey a variety of ways that artists have sloughed off the traditional confines of painting to approach the canvas in surprising, often unorthodox ways.

We spoke with the director of the museum's International Program about its possible CIA history, Modernism's oversights, and the need to incorporate new narratives.

In the first of a series, we provide a brief synopsis of the ideas and achievements of one of America's most legendary—and legendarily pugnacious—art critics.

We surveyed a few galleries from throughout the past century that made revolutionary contributions to art, only to fade away.

Did 1970, Basel’s inaugurating year, mark the beginning of the international art world as we know it today?

In a wide-ranging interview, we spoke to the Venus Over Manhattan proprietor about his gallery, his collecting philosophy, and how he scored one of the biggest auction-market flips in history.

Beside Duchamp's major contributions to conceptual thinking in Modern art, the artist's oeuvre also offers some surprising lessons for artists today.

In the second part of a series, we look at another handful of pioneers who are using their ingenuity to plug art institutions into the tech world.

Do you ever get lost in the thicket of the impenetrable abbreviations that art people throw around? Here's a helpful glossary to make sense of all the shorthand.

Uncertain art and shaky footing combined with enormous potential at the fair's debut—and there were signs aplenty that San Jose could emerge as major player on the international art circuit.

Who knew? Barnaby Furnas worked for Carroll Dunham, who worked for Dorothea Rockburne, who worked for Robert Rauschenberg. Our discoveries may surprise you.

In his latest column, Walter Robinson considers the much-debated show from a few angles before honing in to focus on what really matters: the art.

We spoke to the pioneering art dealer about the particularities of the burgeoning genre, and how artists are using new media to venture into brave new terrain.

From Paul Schimmel's tour of the Reinhard Onnasch collection at Hauser & Wirth to shows of work by Jason Dodge, Hayley Tompkins, Ted Gahl, and more, we saw a lot of art this week.

With historical (and fictional) archives popping up everywhere in contemporary art, we look at four strategies artists use to employ the highly relevant—no, not dusty!—format.

In his latest column, Walter Robinson delves into the counter-culture urges and complex psychology embedded in the artist's extraordinary retrospective.