About The Work
In the 19th century men controlled all legal and financial aspects of women’s lives, so Hosmer, whose romantic relationships were always with women, and her close personal and professional relationships with men reassured her public that she was at least being supervised by men. Wayman Crow, the father of her childhood best friend, a wealthy merchant turned state legislator, was Hosmer’s most ardent Patron, instrumental with financial assistance, management of her finances, and championing her in competitive commissions. Hosmer pays homage and elevates Crow to the status of great men by quoting the herm and bust form from antiquity.
Hosmer’s Portrait of Wayman Crow marble bust is in the collection of: Washington University Gallery of Art, St. Louis, MO and a plaster is in the Watertown Free Public Library, Watertown, MA.
About Patricia Cronin
From The Magazine
Archival Pigmented Inkjet Prints on Innova Soft Texture Paper
30.00 x 22.00 in
76.2 x 55.9 cm
This work is signed and numbered on recto by the artist.
About The Work
In the 19th century men controlled all legal and financial aspects of women’s lives, so Hosmer, whose romantic relationships were always with women, and her close personal and professional relationships with men reassured her public that she was at least being supervised by men. Wayman Crow, the father of her childhood best friend, a wealthy merchant turned state legislator, was Hosmer’s most ardent Patron, instrumental with financial assistance, management of her finances, and championing her in competitive commissions. Hosmer pays homage and elevates Crow to the status of great men by quoting the herm and bust form from antiquity.
Hosmer’s Portrait of Wayman Crow marble bust is in the collection of: Washington University Gallery of Art, St. Louis, MO and a plaster is in the Watertown Free Public Library, Watertown, MA.
About Patricia Cronin
From The Magazine
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