About The Work
Richard Prince once again borrows imagery from mass media, in this case 1950’s era nudie pictures from pulp magazines intended to stimulate the sexual urges of male readers. In making the collages, Prince literally cuts away the titillating bits, revealing a re-drawing of the bits in his own hand beneath. Part homage to Picasso and DeKooning, Prince de-fetishizes the female form and disrupts the male gaze.
Courtesy of Two Palms
About Richard Prince
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11 color silkscreen with collage on Coventry Rag and Lanaquarelle
48.00 x 35.00 in
121.9 x 88.9 cm
Signed in lower margin. Comes with certificate of authenticity.
About The Work
Richard Prince once again borrows imagery from mass media, in this case 1950’s era nudie pictures from pulp magazines intended to stimulate the sexual urges of male readers. In making the collages, Prince literally cuts away the titillating bits, revealing a re-drawing of the bits in his own hand beneath. Part homage to Picasso and DeKooning, Prince de-fetishizes the female form and disrupts the male gaze.
Courtesy of Two Palms
About Richard Prince
From The Magazine
- Art 101: What to Say About Your New David Salle Print
- News & Events: 6 Highlights to Bid On in Artspace's Fall Auction
- News & Events: Prada Marfa, Satan, and Magnetic Dogs: The Upcoming Art Books to Get Excited About
- News & Events: Our List of 2018's Most Talked About Artists
- News & Events: Auction Hack: Collect 5 Artists You'll See at Auction Tomorrow—For Less
This work is an edition of 26, lettered A through Z. It is made up of two prints collaged together. The top layer is cut away in the center to reveal the bottom layer. Published by Two Palms, NY.
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- This work is final sale and not eligible for return.
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