About The Work
Spray On consists of a series of five new works, for which Marilyn Minter has photographed a model with a steamed pane of glass as a semi-transparent curtain between the camera and subject. Printed on aluminum panels, the prints take on a sculptural permanence and this iridescent surface pushes the subject further into translucent ether.
Courtesy of Carolina Nitsch
About Marilyn Minter
From The Magazine
- Interviews & Features: Magnus Resch picks the Artspace editions that would look great on any wall
- Interviews & Features: Wangechi Mutu – ‘Working with prints is a kind of archaeography. It's my way to conjure something from the past that can tell me something'
- Interviews & Features: Is that really Wangechi Mutu in the new Marilyn Minter Artspace edition?
- Interviews & Features: Seol Kwon ‘My earliest creations were female faces, my way of trying to manifest a reflection of myself not visible in the world around me’
- Interviews & Features: Marilyn Minter on Art, Life & Everything In Between
UV cured acrylic polymer printed on aluminum, mounted on aluminum tube bracing
30.00 x 24.00 x 1.00 in
76.2 x 61.0 x 2.5 cm
This work is signed, numbered, and dated on verso.
About The Work
Spray On consists of a series of five new works, for which Marilyn Minter has photographed a model with a steamed pane of glass as a semi-transparent curtain between the camera and subject. Printed on aluminum panels, the prints take on a sculptural permanence and this iridescent surface pushes the subject further into translucent ether.
Courtesy of Carolina Nitsch
About Marilyn Minter
From The Magazine
- Interviews & Features: Magnus Resch picks the Artspace editions that would look great on any wall
- Interviews & Features: Wangechi Mutu – ‘Working with prints is a kind of archaeography. It's my way to conjure something from the past that can tell me something'
- Interviews & Features: Is that really Wangechi Mutu in the new Marilyn Minter Artspace edition?
- Interviews & Features: Seol Kwon ‘My earliest creations were female faces, my way of trying to manifest a reflection of myself not visible in the world around me’
- Interviews & Features: Marilyn Minter on Art, Life & Everything In Between
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