About The Work
The edition presented here is based on the painting of the same name, which Hume produced as part of Mum, his 2017 solo show at Sprüth Magers, London. Taking the image of the lamb as the central point, the edition is a meditation on innocence and spirituality, placing these qualities in dialogue with the violence of human existence. The coalescence, intersection and interstices of these areas is reinforced further by the title Sunday, connotes the Christian day of rest, as well as the banal ways in which we utilise that day in domestic life, for instance with the Sunday roast.
Courtesy of ICA London
About Gary Hume
From The Magazine
Four colour silkscreen with hand-finished spray paint element
41.73 x 32.28 in
106.0 x 82.0 cm
This work is signed, titled and dated on the front.
About The Work
The edition presented here is based on the painting of the same name, which Hume produced as part of Mum, his 2017 solo show at Sprüth Magers, London. Taking the image of the lamb as the central point, the edition is a meditation on innocence and spirituality, placing these qualities in dialogue with the violence of human existence. The coalescence, intersection and interstices of these areas is reinforced further by the title Sunday, connotes the Christian day of rest, as well as the banal ways in which we utilise that day in domestic life, for instance with the Sunday roast.
Courtesy of ICA London
About Gary Hume
From The Magazine
Edition of 35 + 5 AP
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