The practice of French artist Camille Henrot (b. 1978 in Paris, France) moves seamlessly between film, painting, drawing, sculpture and installation. The artist references self-help, online second-hand marketplaces, cultural anthropology, literature, psychoanalysis, and social media to question what it means to be at once a private individual and a global subject. Henrot is interested in confronting emotional and political issues, and looking at how ideology, globalization, belief and new media are interacting to create an environment of structural anxiety. The changing modes of information distribution and interpersonal connections, the relationships between individual experiences and macroscopic dynamics, as well as between images and language, are at the center of her works. Henrot lives and works in New York and Berlin. 

 A 2013 fellowship at the Smithsonian Institute resulted in her film Grosse Fatigue, for which she was awarded the Silver Lion at the 55th Venice Biennale. She is the recipient of the 2014 Nam June Paik Award and the 2015 Edvard Munch Award. In 2017, Henrot was given carte blanche at Palais de Tokyo in Paris, where she presented the major exhibition “Days Are Dogs." Henrot has had additional solo exhibitions at the Kestner Gesellschaft in Hannover, Germany; New Museum, New York; Schinkel Pavillon, Berlin; New Orleans Museum of Art; Fondazione Memmo, Rome; Tokyo Opera City Art Gallery, Japan and Art Sonje Center, Seoul. Upcoming solo exhibitions include the National Gallery of Victoria, Melbourne, Australia (2021) and Middelheim Museum in Antwerp, Belgium (2022). She has also participated in the Lyon, Berlin and Sydney Biennials and will present new works in the Liverpool Biennale (2021).