Dan Graham

Artspace spoke with Mieko Meguro about her solo show at Shoot the Lobster, and about the hospitalization of her muse and husband (the legendary Dan Graham).

Throughout the year, Artspace has offered how-to guides, compiled lists of resources, and asked the experts about everything an artist could ever want to know about residencies and art school. Here are the top twelve.

From visual surveys covering art history's full sweep to a chronicle of the evolution of the art exhibition, these resources will provide an easily affordable education at home.

In this comprehensive interview with the famed “supercurator” Hans Ulrich Obrist excerpted from Phaidon’s monograph Ai Weiwei, the artist delves deep into his own stroy, detailing the bumpy road to making art history.

Some of the most innovative artworks of the past half-century took the form of magazines. Here are a few you'll want to flip through (only one, alas, is still in print).

The self-taught pioneer of American conceptualism discusses the pros and cons of a formal art education.

On the eve of the Istanbul Biennial, Andrew M. Goldstein spoke to the unstoppable curator about her plan to inject energy into the city's artistic landscape.

These mind-bending pieces show the diverse approaches artists have taken in order to realize their ideas in physical form.

From a conceptual piece by a photographer with a major upcoming MoMA survey to an enigmatic sculpture by one of today's most closely watched young artists, these are works collectors should pounce on fast.

Before blasting off into the new terrain of 2015, here's a revue of the articles, interviews, profiles, and other pieces we're proudest of from last year.

Arted out already? Here's a guide to a few luxe diversions to take your mind off the fairs, from first-rate restaurants and bars to trendy shopping destinations.

As inspired by a new book from Princeton Architectural Press by Francesca Cigola, here are six easy escapes from the city heat.

We surveyed a few galleries from throughout the past century that made revolutionary contributions to art, only to fade away.

The artist tells Artspace about his architectural-sculptural hybrids and explains why he's a Seth Rogen fan.

From New York to L.A., these alternative galleries from across the country took the experimental momentum of the 1970s to new heights.

From a sendup of American art's macho totems to a whirling, melting orb of possibly extra-terrestrial origins, these are a few highlights from the excellent fair.

From the groundbreaking "Primary Structures" at the Jewish Museum (now being reinterpreted in a new show) to "WACK!" at L.A. MOCA in 2007, here's a survey of exhibitions that upended the way we look at art today—and how artists make it, too.

Who knew? Barnaby Furnas worked for Carroll Dunham, who worked for Dorothea Rockburne, who worked for Robert Rauschenberg. Our discoveries may surprise you.

We surveyed the various artistic approaches of the legendary conceptualist, who sculpts engrossing compositions out of language, philosophy, and linguistic structures.

In a survey that the artist and curator organized of his family, friends, and associates, multiple themes of ethical unease intersect through the range of works on display.

In his latest column, Walter Robinson delves into the counter-culture urges and complex psychology embedded in the artist's extraordinary retrospective.

The YBA talks about his interest in making art for the public and reveals the ideas behind his famed Plexiglas sculptures.

We spoke to the 26-year-old rising curatorial star about his plans for the museum, and how he went from making shows in his apartment to being interim director at an influential institution.