About The Work
From the 1980s and 90's Paul McCarthy's stage sets, masks and props became sculptures, mechanised figures, video installations and environments that are often violently, sexually and politically charged. The limited edition, Coppermeal 3, was from a series of five editions produced by Paul and his son Damon McCarthy, to accompany McCarthy's 2005 exhibition at the Whitechapel Gallery.
Courtesy of Whitechapel Gallery
About Paul McCarthy
From The Magazine
- Interviews & Features: How THE SKATEROOM founder stops kids wiping out
- Interviews & Features: INTERVIEW: Paul McCarthy: 'My work refers to my private, forgotten or repressed memories. I recognize them as existing, but I am not sure how they relate to me. Are they specifically my trauma, or someone else’s?'
- Interviews & Features: What Whitney Hubbs Thinks About in the Studio
- News & Events: Why Are Paul McCarthy and Shana Moulton Building an Observatory in the Middle of Wyoming?
- Art 101: The Artist as Critic: Mike Kelley on How He Shaped His Own Legacy
Lithograph on paper
16.50 x 23.40 in
41.9 x 59.4 cm
This work is signed on recto and numbered on verso.
About The Work
From the 1980s and 90's Paul McCarthy's stage sets, masks and props became sculptures, mechanised figures, video installations and environments that are often violently, sexually and politically charged. The limited edition, Coppermeal 3, was from a series of five editions produced by Paul and his son Damon McCarthy, to accompany McCarthy's 2005 exhibition at the Whitechapel Gallery.
Courtesy of Whitechapel Gallery
About Paul McCarthy
From The Magazine
- Interviews & Features: How THE SKATEROOM founder stops kids wiping out
- Interviews & Features: INTERVIEW: Paul McCarthy: 'My work refers to my private, forgotten or repressed memories. I recognize them as existing, but I am not sure how they relate to me. Are they specifically my trauma, or someone else’s?'
- Interviews & Features: What Whitney Hubbs Thinks About in the Studio
- News & Events: Why Are Paul McCarthy and Shana Moulton Building an Observatory in the Middle of Wyoming?
- Art 101: The Artist as Critic: Mike Kelley on How He Shaped His Own Legacy
Whitechapel Gallery editions are generously donated by the artists involved in their exhibition programme. Please note that this work may be purchased for your personal collection only and not for resale.
- Ships in 10 to 14 business days from United Kingdom.
- This work is final sale and not eligible for return.
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