About The Work
Exploring the intersections of architecture, design and nature, the work of Scottish artist Martin Boyce is based on a visual language of shapes, lines and pictorial representations. Often resembling runes, the short, text-like lines of his printed works are also found throughout his sculptural installations. The interactions of angles and dangling shapes bring a contemporary terminology to his unique style. In Brushing Against Strange Weeds (Reflections and Vibrations) the artist references shapes in a photograph by Joël and Jan Martel of four concrete trees, originally created for the 1925 “Exposition des Arts Décoratifs” in Paris. Boyce has remarked that the trees "represent a perfect collapse of architecture and nature.”
About Martin Boyce
From The Magazine
Four color screenprint on Fabriano 4 Liscia paper
39.37 x 27.56 in
100.0 x 70.0 cm
This work is signed, numbered, and dated by the artist on recto.
About The Work
Exploring the intersections of architecture, design and nature, the work of Scottish artist Martin Boyce is based on a visual language of shapes, lines and pictorial representations. Often resembling runes, the short, text-like lines of his printed works are also found throughout his sculptural installations. The interactions of angles and dangling shapes bring a contemporary terminology to his unique style. In Brushing Against Strange Weeds (Reflections and Vibrations) the artist references shapes in a photograph by Joël and Jan Martel of four concrete trees, originally created for the 1925 “Exposition des Arts Décoratifs” in Paris. Boyce has remarked that the trees "represent a perfect collapse of architecture and nature.”
About Martin Boyce
From The Magazine
- The quoted dimensions are for the paper size. The image size is 89 cm x 60 cm.
- Ships in 10 to 14 business days from United Kingdom.
- This work is final sale and not eligible for return.
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