About The Work
“The motivation for this series was a sense of dislocation I often feel between the digitally simulated and the real. The ‘real’ is tactile and tangible. The ‘real’ responds to the effects of time. However the ‘digital’ does not appear to behave this way." Searching for a means to express this disconnection Julian Hibbard began to rework the images in this series by either fragmenting and erasing parts or adding additional graphic elements such as data or diagrams.
This method of intervening has the effect of releasing latent undertones embedded in the original work and also parallels the effect of time on memory – for memories too are built and rebuilt every time we revisit them. In restoring a sense of change over time and by disrupting the normally passive gaze of the spectator, the altered images in this series remind us that beneath the world of appearances reality is in a state of continual change and the act of looking is always structured.
Courtesy of Doka Photography
Photograph
Photography
This work comes with an embossed Certificate of Authenticity, signed by the artist.
About The Work
“The motivation for this series was a sense of dislocation I often feel between the digitally simulated and the real. The ‘real’ is tactile and tangible. The ‘real’ responds to the effects of time. However the ‘digital’ does not appear to behave this way." Searching for a means to express this disconnection Julian Hibbard began to rework the images in this series by either fragmenting and erasing parts or adding additional graphic elements such as data or diagrams.
This method of intervening has the effect of releasing latent undertones embedded in the original work and also parallels the effect of time on memory – for memories too are built and rebuilt every time we revisit them. In restoring a sense of change over time and by disrupting the normally passive gaze of the spectator, the altered images in this series remind us that beneath the world of appearances reality is in a state of continual change and the act of looking is always structured.
Courtesy of Doka Photography
Hahnemühle Fine Art Baryta Gloss
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