Munich 1972 Olympic Games (Danilowitz 213), 1970
About Josef Albers
From The Magazine
- Interviews & Features: Cheryl Humphreys - ‘I've always been interested in color. Color is vibration in the same way sound is’
- Interviews & Features: IFPDA Print Fair Preview - An Interview with Gemini G.E.L. at Joni Moisant Weyl
- Interviews & Features: Minimalist masterpieces without a maximalist price tag
- News & Events: 5 Reasons to Collect Jose Dávila's Gold "Homage to the Square"
- News & Events: Fall Art Preview: 21 Museum Shows to Catch This September, November, & October
Color screenprint on 250-gram Schöllers Hammer paper
40.00 x 25.50 in
101.6 x 64.8 cm
Edition of 200
Pencil signed, dated and numbered 183/200 on the recto. Catalogue Raisonne Reference: Danilowitz, 213
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About Josef Albers
From The Magazine
- Interviews & Features: Cheryl Humphreys - ‘I've always been interested in color. Color is vibration in the same way sound is’
- Interviews & Features: IFPDA Print Fair Preview - An Interview with Gemini G.E.L. at Joni Moisant Weyl
- Interviews & Features: Minimalist masterpieces without a maximalist price tag
- News & Events: 5 Reasons to Collect Jose Dávila's Gold "Homage to the Square"
- News & Events: Fall Art Preview: 21 Museum Shows to Catch This September, November, & October
- This work was exhibited in the show "On Black Mountain: The Bauhaus Legacy in America", April 5, 2019-April 27, 2019 at the Sager Braudis Gallery in Columbia, Missouri. It is reproduced on page 8 of the exhibition catalogue.
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