About The Work
From the years 2012 through 2022, the top 20 artworks sold at auction by women totaled $388.08 million. Of these 20 works, 16 of them were paintings: 5 by Georgia O'Keefe, 5 by Joan Mitchell, 3 by Tamara de Lempicka, 1 by Frida Kahlo, 1 by Jenny Saville, and 1 by Agnes Martin. The remaining 4 works were sculptures by Louise Bourgeois. Using the paintings from the list, this series explores the fair use myth that 30% of the original artwork is allowable to use should it be for purposes such as criticism, comment, news reporting, teaching, scholarship, or research and done so in a transformative fashion. The artworks have been divided into sections and less than 30% of the piece is included back onto the page, diced up pieces put together out of order like a puzzle, with the empty space inviting the viewer to imagine the remaining artwork.
Courtesy of the Artist
About Emily Hoerdemann
From The Magazine
Work on Paper
Ink and pigment print on watercolor
14.00 x 11.00 in
35.6 x 27.9 cm
This work is signed and titled by the artist on recto.
About The Work
From the years 2012 through 2022, the top 20 artworks sold at auction by women totaled $388.08 million. Of these 20 works, 16 of them were paintings: 5 by Georgia O'Keefe, 5 by Joan Mitchell, 3 by Tamara de Lempicka, 1 by Frida Kahlo, 1 by Jenny Saville, and 1 by Agnes Martin. The remaining 4 works were sculptures by Louise Bourgeois. Using the paintings from the list, this series explores the fair use myth that 30% of the original artwork is allowable to use should it be for purposes such as criticism, comment, news reporting, teaching, scholarship, or research and done so in a transformative fashion. The artworks have been divided into sections and less than 30% of the piece is included back onto the page, diced up pieces put together out of order like a puzzle, with the empty space inviting the viewer to imagine the remaining artwork.
Courtesy of the Artist
About Emily Hoerdemann
From The Magazine
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