About The Work
Since the mid-1990s, Chris Ofili has become well-known for his vibrant, technically complex, and meticulously executed paintings and works on paper. While his early works were predominantly abstract, involving intricate patterns and colors, he has since developed a signature figurative style that bridges the gap between the sacred and the profane, and by extension, between high art and popular culture. His works center around the relationship between form and content—often using several layers of paint, resin, glitter, collage elements, and occasionally, elephant dung, Ofili enlists sexual, cultural, historical, and religious references to create uniquely aesthetic and physical works that expose the darker undercurrents of society, while also celebrating contemporary black culture.
About Chris Ofili
From The Magazine
- Interviews & Features: What to expect from Frieze London
- Art 101: These Artworks Will Soothe You In Tough Times
- Interviews & Features: Oil, Gin, and Possible Collusion with Russia? Behind Some of the World's Largest Artist Grants
- Contributors: White Columns Director Matthew Higgs's Favorite Works from NADA New York 2017
- Art 101: Art Is A Weapon: Hans Haacke on How Art Survived the Bush Administration
Linocut
16.10 x 12.01 in
40.9 x 30.5 cm
About The Work
Since the mid-1990s, Chris Ofili has become well-known for his vibrant, technically complex, and meticulously executed paintings and works on paper. While his early works were predominantly abstract, involving intricate patterns and colors, he has since developed a signature figurative style that bridges the gap between the sacred and the profane, and by extension, between high art and popular culture. His works center around the relationship between form and content—often using several layers of paint, resin, glitter, collage elements, and occasionally, elephant dung, Ofili enlists sexual, cultural, historical, and religious references to create uniquely aesthetic and physical works that expose the darker undercurrents of society, while also celebrating contemporary black culture.
About Chris Ofili
From The Magazine
- Interviews & Features: What to expect from Frieze London
- Art 101: These Artworks Will Soothe You In Tough Times
- Interviews & Features: Oil, Gin, and Possible Collusion with Russia? Behind Some of the World's Largest Artist Grants
- Contributors: White Columns Director Matthew Higgs's Favorite Works from NADA New York 2017
- Art 101: Art Is A Weapon: Hans Haacke on How Art Survived the Bush Administration
- Ships in 10 to 14 business days from Germany. Framed works ship in 14 to 18 business days from New York.
- This work is final sale and not eligible for return.
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