Liam Gillick

Artspace's Loney Abrams speaks with the ICA Miami curator and co-organizer of the 2018 New Museum Triennial about pre-digital painting in the Information Age.

This essay from Phaidon's Art in Time explores the participatory movement, which saw a blurring of the line between artist and viewer.

The writer, critic, and occasional Mexico City resident chooses her favorite works from the fair.

The globetrotting curator discusses the French artists' groundbreaking project in this essay excerpted from Phaidon's "Defining Contemporary Art".

In a studio visit with Karen Rosenberg, the painter and filmmaker talks about going behind the scenes of a luxury conglomerate and what she's learned from Jeff Koons and Frank Gehry.

From a tony Duchamp exhibition uptown to art made by millennial roommates in Bushwick, here’s our guide to the must-see shows of the season.

How does an artist's critical writing influence our interpretation of their work? We look at some recent examples to find out.

From the hallowed halls of the New England ivies to the progressive art-tech centers on the West Coast, these are the top grad programs for artists-to-be.

From the groundbreaking "Primary Structures" at the Jewish Museum (now being reinterpreted in a new show) to "WACK!" at L.A. MOCA in 2007, here's a survey of exhibitions that upended the way we look at art today—and how artists make it, too.

To celebrate Valentine's Day, we've compiled a list of some of the more prominent couples whose hearts have been intertwined by the aesthetic ribbons of contemporary art.

In a survey that the artist and curator organized of his family, friends, and associates, multiple themes of ethical unease intersect through the range of works on display.

The YBA talks about his interest in making art for the public and reveals the ideas behind his famed Plexiglas sculptures.