About The Work
Alfredo Jaar adapted this print from a photograph taken from inside one of the cells that make up the sculptural installation The Garden of Good and Evil, which was commissioned to coincide with the major exhibition of the same name at YSP in 2017 by the Chilean-born artist.
Widely regarded as one of the world’s most politically engaging yet poetic artists, Jaar addresses humanitarian trauma, inequalities and injustices around the world. The original version of the installation was displayed outside the Underground Gallery.
Generously donated by the artist and a/political (who are dedicated to the support and promotion of artists working within a socio-political framework), the work is now permanently installed within woodland at YSP, where visitors are invited to walk amongst the trees to discover the hidden structures. The catalogue of this installation is also available, entitled The Garden of Good and Evil.
Courtesy of Yorkshire Sculpture Park
About Alfredo Jaar
From The Magazine
- Interviews & Features: I Want to Believe: The Met Breuer Uncovers the Deep Links Between Art and Conspiracy
- Interviews & Features: Heading Into 2017, Here Are 6 Fundamental Questions the Art World Should Be Asking Itself
- Art 101: Using the Body Against the Body Politic: Mona Hatoum on How Art Can Be a Form of Resistance
Photograph
Giclée print
13.39 x 18.90 x 0.39 in
34.0 x 48.0 x 1.0 cm
About The Work
Alfredo Jaar adapted this print from a photograph taken from inside one of the cells that make up the sculptural installation The Garden of Good and Evil, which was commissioned to coincide with the major exhibition of the same name at YSP in 2017 by the Chilean-born artist.
Widely regarded as one of the world’s most politically engaging yet poetic artists, Jaar addresses humanitarian trauma, inequalities and injustices around the world. The original version of the installation was displayed outside the Underground Gallery.
Generously donated by the artist and a/political (who are dedicated to the support and promotion of artists working within a socio-political framework), the work is now permanently installed within woodland at YSP, where visitors are invited to walk amongst the trees to discover the hidden structures. The catalogue of this installation is also available, entitled The Garden of Good and Evil.
Courtesy of Yorkshire Sculpture Park
About Alfredo Jaar
From The Magazine
- Interviews & Features: I Want to Believe: The Met Breuer Uncovers the Deep Links Between Art and Conspiracy
- Interviews & Features: Heading Into 2017, Here Are 6 Fundamental Questions the Art World Should Be Asking Itself
- Art 101: Using the Body Against the Body Politic: Mona Hatoum on How Art Can Be a Form of Resistance
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