Robin Rhode - Wall of Water for Sale

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Robin Rhode

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Wall of Water, 2015

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About The Work

In Wall of Water Robin Rhode has created one of his arresting narratives. The compelling photograph depicts a character, dressed in a white doctor’s coat, placing a stethoscope against the wall’s surface below a painted water droplet. This spontaneous act implies that the wall embodies life-like qualities, such as a heartbeat, and the character’s ears are filled with the sound of the water drop. In addition, as with many of Rhode’s photographs, the character is masked, and meant to remain unknown, universal, and timeless.

Like much of Rhode’s photographic work, Wall of Water is heavily influenced by the early methods of motion photography and motion pictures, often seen in the work of Eadweard Muybridge. A sense of spontaneity and action is also a vital aspect of Rhode’s work, and this work embodies the rebellious nature of graffiti and street art with the body-based performance art of the 1970s.

About Robin Rhode

Robin Rhode is a South African-born artist based in Berlin, Germany. He studied Fine Art at Technikon Witwatersrand and the South African School of Film, Television and Dramatic Art, both in Johannesburg, South Africa. His work combines aspects of street art, minimalism, social practice, and urban design in explorations of play, reenactment, and gesture that manifest as photo documentation, performances, …

Rhode’s early work consists of documentation of performances based on the artist’s interactions with his own drawings of objects—cars, bicycles, and abstract patterns. Completed on walls, basketball courts, and on urban streets, Rhodes’ performances are based partially on initiation rituals that were part of his life as a teenager in high school in South Africa. The 2000 work “He got game”, for example, depicts Rhode in a Muybridge-esque photographic sequence appearing to slam-dunk on a basketball hoop which is drawn, in chalk, on asphalt. His work is distinguished from similar work by other artists by their precision and aesthetic simplicity. Formally, they’re derived equally from street art and from conceptual art of the 1970s. Rhode’s later performances moved from the street into the museum and gallery space. He’s also completed participatory versions of his work, including the exhibition “Take Your Mind Off The Street” at New York’s Lehmann Maupin Gallery in 2013, where the artist invited school children to use giant crayons to color in his drawings on the gallery’s walls.

Rhode has had solo exhibitions at New York’s Perry Rubenstein Gallery, Munich’s Haus der Kunst, and London’s Hawyard Gallery and White Cube. He was included in the 2005 Venice Biennale and in Prospect.1 New Orleans in 2009. The same year, he collaborated with Leif Ove Adsnes on the stage set for the Norwegian pianist’s “Pictures at an Exhibition,” which premiered at Lincoln Center, New York. His work is included in the collections of numerous museums included New York’s Museum of Modern Art, Solomon R. Guggenheim Museum, and Studio Museum in Harlem, Minneapolis’s Walker Art Center, the Johannesburg Art Gallery, Tehran’s Honart Museum Collection, and Paris’s Centre Pompidou, among others. In addition to various artist-in-residence awards in Minneapolis, Boston, Berlin, London, and Cape Town, Rhode received the Ars Viva Identity award and was the winner of both the Illy Prize in Brussels and a W South Beach Commission in Miami.