About The Work
Two Palms is pleased to present a series of monotypes from Marina Adams of free-flowing patterns that highlight the artist’s ability to fluently push color into form.
Adams utilizes a distinct palette of rich, saturated hues to create biomorphic forms that undulate and press together with pulsating energy. Sampling motifs from textile design, architecture, and postmodern poetry, as well as Moorish mosaics like the tessellated walls in the Alhambra palace in Grenada, Spain, Adams responds to color and form as she paints, resulting in a rhythmic relationship between the two. When speaking about her work, Adams has said that abstraction creates space for thought, rather than dictating it; it opens up the opportunity for experience.
About Marina Adams
Work on Paper
Monotype in watercolor on Lanaquarelle paper
16.00 x 13.00 in
40.6 x 33.0 cm
This work is initialed on front, signed and dated on back in graphite.
About The Work
Two Palms is pleased to present a series of monotypes from Marina Adams of free-flowing patterns that highlight the artist’s ability to fluently push color into form.
Adams utilizes a distinct palette of rich, saturated hues to create biomorphic forms that undulate and press together with pulsating energy. Sampling motifs from textile design, architecture, and postmodern poetry, as well as Moorish mosaics like the tessellated walls in the Alhambra palace in Grenada, Spain, Adams responds to color and form as she paints, resulting in a rhythmic relationship between the two. When speaking about her work, Adams has said that abstraction creates space for thought, rather than dictating it; it opens up the opportunity for experience.
About Marina Adams
Published by Two Palms, NY
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