About The Work
American abstract expressionist painter, Helen Frankenthaler, is known for her watercolor-like “soak stain” technique, which involved painting with turpentine-diluted oils on untreated canvas. In addition to these softly rendered abstract paintings, Frankenthaler was also an accomplished printmaker, translating her distinctive ethereal style into multiple mediums and processes.
About Helen Frankenthaler
From The Magazine
- Interviews & Features: Collect with Confidence - Personal Taste
- Art 101: The 10 Essays That Changed Art Criticism Forever
- News & Events: "The Birth of Artificial Synthesis": The History of Blue and the Work of Helen Frankenthaler, Pablo Picasso, and Yves Klein
- Art 101: Three of Today's Most Exciting Latin American Painters Take On Identity, Memory, and Representation
- News & Events: Everything You Need to Know About Last Week's Day Sales
Lithograph on Arches
27.01 x 35.98 in
68.6 x 91.4 cm
This work is handsigned and comes with a Certificate of Authenticity.
About The Work
American abstract expressionist painter, Helen Frankenthaler, is known for her watercolor-like “soak stain” technique, which involved painting with turpentine-diluted oils on untreated canvas. In addition to these softly rendered abstract paintings, Frankenthaler was also an accomplished printmaker, translating her distinctive ethereal style into multiple mediums and processes.
About Helen Frankenthaler
From The Magazine
- Interviews & Features: Collect with Confidence - Personal Taste
- Art 101: The 10 Essays That Changed Art Criticism Forever
- News & Events: "The Birth of Artificial Synthesis": The History of Blue and the Work of Helen Frankenthaler, Pablo Picasso, and Yves Klein
- Art 101: Three of Today's Most Exciting Latin American Painters Take On Identity, Memory, and Representation
- News & Events: Everything You Need to Know About Last Week's Day Sales
Printer and publisher : Poligrafa, Barcelone
- Ships in 3 to 7 business days from France.
- This work is final sale and not eligible for return.
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