Veronica Ryan
Veronica Ryan (b. 1956) is a Montserrat-born British artist who currently splits her time between New York and the UK. She studied at St Albans, Bath Academy of Art, the Slade School of Art, and the School for Oriental and African Studies.
In 2000, Ryan completed a residency at Tate St Ives, where she worked in the former studio of Barbara Hepworth and used marble gifted by the Hepworth Estate. During her time there, Ryan made a series of works that responded to Hepworth’s sculpture, the Cornish landscape and to her own interests in interior and exterior forms, identity, and place. A number of these pieces have since joined existing works by the artist in the Tate Collection and Arts Council Collection.
Ryan was represented in the Arts Council Collection touring show Making It: Sculpture in Britain 1977 – 1986 in 2015, which produced a well-received catalogue featuring an essay by Jon Wood, Research Coordinator, Henry Moore Institute, and a contribution from Mike Tooby, Professor of Art and Design, Bath School of Art and Design. Her work was also featured in the British Art Show at Hayward Gallery, London in 1990. Solo exhibitions include The Mattress Factory, Pittsburgh PA (2011/12), …
Veronica Ryan (b. 1956) is a Montserrat-born British artist who currently splits her time between New York and the UK. She studied at St Albans, Bath Academy of Art, the Slade School of Art, and the School for Oriental and African Studies.
In 2000, Ryan completed a residency at Tate St Ives, where she worked in the former studio of Barbara Hepworth and used marble gifted by the Hepworth Estate. During her time there, Ryan made a series of works that responded to Hepworth’s sculpture, the Cornish landscape and to her own interests in interior and exterior forms, identity, and place. A number of these pieces have since joined existing works by the artist in the Tate Collection and Arts Council Collection.
Ryan was represented in the Arts Council Collection touring show Making It: Sculpture in Britain 1977 – 1986 in 2015, which produced a well-received catalogue featuring an essay by Jon Wood, Research Coordinator, Henry Moore Institute, and a contribution from Mike Tooby, Professor of Art and Design, Bath School of Art and Design. Her work was also featured in the British Art Show at Hayward Gallery, London in 1990. Solo exhibitions include The Mattress Factory, Pittsburgh PA (2011/12), Kettle’s Yard, Cambridge (1988), ICA, London (1987) and Arnolfini Gallery, Bristol (1987). Her work is in the permanent collection of the Tate Gallery and Arts Council Collection.
Courtesy of The Hepworth Wakefield
