Ryan Trecartin

Eisenstein and Zimelman's ever-growing collection of video, new media, and sculpture started almost 20 years ago in Williamsburg. Here, they speak about their process.

For curator and writer Ellen Mara De Wachter, collaborative groups of artists are fascinating precisely because they DON'T subscribe to the cult of authorship, individuality, and genius that the art world holds so dear.

Lizzie Fitch and Ryan Trecartin speak with 'Co-Art' author Ellen Mara De Watcher about how they first met, who does what, and the role of authorship in collaboration.

From writers like Teju Cole, Sophie Calle, and László Krasznahorkai, here's what you need to read to catch up this summer.

Leading artist duos and collectives like DIS, Guerrilla Girls, Lizzie Fitch/Ryan Trecartin, Claire Fontaine, The Propeller Group, Eva and Franco Mattes and others share secrets to collaborative success.

Leading artist duos and collectives like DIS, Guerrilla Girls, Lizzie Fitch/Ryan Trecartin, SUPERFLEX, Elmgreen & Dragset, Eva and Franco Mattes and others share secrets to collaborative success.

Artspace’s Loney Abrams speaks with Red Bull Arts New York's program manager, Max Wolf, about Red Bull’s relationship with the art world and how the art world can stand to benefit from it.

And the breathtaking townhouses and historic buildings that house some of these private collections are in themselves worth the visit.

These works, each excerpted from Phaidon’s Body of Art, represent just a few of the high points of recent video art.

Catch up here on a few of the more important stories to emerge this week from an assessment of feminist net art to the legacy of Klimt's woman in gold.

The performance artist describes his appreciation for the innovative role Björk has played in his own development and that of 21st-century aesthetics.

Karen Rosenberg assessed the season's most widely discussed exhibition, which proposes alternative modes of art and throws down a gauntlet in the biennial landscape.

Here's a primer on a several themes and ideas to look out for in the season's most anticipated exhibition, from the queasy phenomenon of body panic to the rise of the artist-as-corporation.

To mark the opening of the New Museum's Triennial, we compiled several salient quotes from the show's co-curator and artistic godhead.

We canvassed Mexico City's marquee art fair for the most gripping artworks on view by artists from Latin America and beyond.

From the younger-than-Jesus granddaddy of the Post-Internet kids to one of today's fastest-rising painters, these are the artists everyone will be talking about this month.

From the hallowed halls of the New England ivies to the progressive art-tech centers on the West Coast, these are the top grad programs for artists-to-be.

We spoke to the pioneering art dealer about the particularities of the burgeoning genre, and how artists are using new media to venture into brave new terrain.

With historical (and fictional) archives popping up everywhere in contemporary art, we look at four strategies artists use to employ the highly relevant—no, not dusty!—format.