About The Work
Analia Saban's work blurs the distinctions between mediums, employing various elements of painting, sculpture, photography, printmaking, and architecture in a way that deconstructs and revisualizes the very process of art-making. In this series, layered acrylic paint is used as a substitute for paper. The paint sheet is then fed through the printer where pigment is directly applied, creating a work without paper. Transcending Pigment from Paint to Canvas, from Canvas to Paint is an edition of 40 unique, mixed-media mono prints in which Saban continues to test the limits of printmaking. Each print is a work without paper; this edition uses layered, acrylic paint as a substitute for paper, but takes the process one step further by printing on both the paint and Belgian linen.
About Analia Saban
From The Magazine
Pigmented ink mono print on Belgian linen and acrylic paint
40.25 x 29.50 in
102.2 x 74.9 cm
This work is signed, dated and editioned by the artist on recto.
About The Work
Analia Saban's work blurs the distinctions between mediums, employing various elements of painting, sculpture, photography, printmaking, and architecture in a way that deconstructs and revisualizes the very process of art-making. In this series, layered acrylic paint is used as a substitute for paper. The paint sheet is then fed through the printer where pigment is directly applied, creating a work without paper. Transcending Pigment from Paint to Canvas, from Canvas to Paint is an edition of 40 unique, mixed-media mono prints in which Saban continues to test the limits of printmaking. Each print is a work without paper; this edition uses layered, acrylic paint as a substitute for paper, but takes the process one step further by printing on both the paint and Belgian linen.
About Analia Saban
From The Magazine
No. IV of 10 unique works Published by The Lapis Press
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