David Gilhooly
Leader and advocate of the Bay Area Funk Art movement, promoting humorous and absurd creativity, David Gilhooly creates ceramic and Plexiglass sculptures of food and animals imbued with humor to confront the solemn art world. Gilhooly often references ancient civilizations, religion, politics, and culture, parodying their associated notions through clever assemblages of ceramic frogs and other creatures. Gilhooly is widely recognized for his “Frog World” series in which he creates a satirical amphibian universe that mirrors the human world to reflect a critical perspective on society. While Gilhooly hopes to reveal ignored issues of human existence, he also prioritizes the accessibility of his work and his overarching message. Through lowbrow humor, his work can be experienced, viewed, interpreted, and digested by all audiences.
Gilhooly has previously exhibited work at the Micaela Gallery in San Francisco, Museum of Glass in Tacoma, Washington, Cantor Art Center at Stanford University in California, the San Jose Museum of art in California, San Francisco Museum of Art, and the ARCO Center for the Visual Arts in Los Angeles. His work has been included in the public collections of institutions such as Arizona State University, the Fine Arts Museum of San Francisco, Honolulu Museum of Art, …
Leader and advocate of the Bay Area Funk Art movement, promoting humorous and absurd creativity, David Gilhooly creates ceramic and Plexiglass sculptures of food and animals imbued with humor to confront the solemn art world. Gilhooly often references ancient civilizations, religion, politics, and culture, parodying their associated notions through clever assemblages of ceramic frogs and other creatures. Gilhooly is widely recognized for his “Frog World” series in which he creates a satirical amphibian universe that mirrors the human world to reflect a critical perspective on society. While Gilhooly hopes to reveal ignored issues of human existence, he also prioritizes the accessibility of his work and his overarching message. Through lowbrow humor, his work can be experienced, viewed, interpreted, and digested by all audiences.
Gilhooly has previously exhibited work at the Micaela Gallery in San Francisco, Museum of Glass in Tacoma, Washington, Cantor Art Center at Stanford University in California, the San Jose Museum of art in California, San Francisco Museum of Art, and the ARCO Center for the Visual Arts in Los Angeles. His work has been included in the public collections of institutions such as Arizona State University, the Fine Arts Museum of San Francisco, Honolulu Museum of Art, the National Gallery of Canada in Ottawa, the Oakland Museum of California, the Philadelphia Museum of Art, the San Francisco Museum of Modern Art, and the Whitney Museum of American Art in New York.
The Arizona State University Art Collections, Tempe, AZ
The Fine Arts Museums of San Francisco, San Francisco, CA
The Honolulu Museum of Art, Honolulu, HI
The Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ
The Little Rock Art Center, Little Rock, AR
The Louisiana State University, Baton Rouge, LA
The National Gallery of Canada, Ottawa, Canada
The Norton Museum of Art, West Palm Beach, FL
The Oakland Museum of California, Oakland, CA
The Palm Springs Desert Museum, Palm Springs, CA
The Philadelphia Museum of Art, Philadelphia, PA
The San Antonio Museum of Art, San Antonio, TX
The San Francisco Museum of Modern Art, San Francisco, CA
The San Jose Museum of Art, San Jose, CA
The Anderson Collection at Stanford University, Palo Alto, CA
The Stedelijk Museum, Amsterdam, Netherlands
The University of California, Santa Barbara, CA
The Vancouver Art Gallery, Vancouver, British Columbia, Canada
The Whitney Museum of American Art, New York, NY
Jonathan Novak Contemporary Art, Los Angeles, CA