David Salkin
Formally trained in architecture, David Salkin uses his architectonic background to influence his manipulation of plans and grids in order to form graphic patterns and geometric images. Salkin applies his designs to custom rugs, tile patterns, wallpaper, and fabric. These materialized patterns read as
preliminary models and frameworks for potential urban planning schematics. Salkin’s designs usually feature bold contrasting colors, which both hold their own as stand-alone pieces and complement the surrounding built environment. While most of his work portrays linear patterns, Salkin also explores organic motifs such as coral. His dedication to pattern and repetition secured him a spot in Western Exhibitions's biennial, traditionally focused on a prevailing theme occurring in the larger art world. "
Underlying System Is Not Known"
examines the current trends in repetition and pattern. While this theme is traditionally linked with abstract painting, Salkin introduces elements of structure, geometry, angularity, labyrinths, grids, and architecture through his textiles and interior embellishments.
In February of 2017, Salkin work was exhibited at Chicago’s Western Exhibitions where his pieces both stood alone and served as a stage for Hubbard Street Dance performances. Salkin has also worked with Chicago-based Document Space and the Volume Gallery, which focuses on emerging …
Formally trained in architecture, David Salkin uses his architectonic background to influence his manipulation of plans and grids in order to form graphic patterns and geometric images. Salkin applies his designs to custom rugs, tile patterns, wallpaper, and fabric. These materialized patterns read as
preliminary models and frameworks for potential urban planning schematics. Salkin’s designs usually feature bold contrasting colors, which both hold their own as stand-alone pieces and complement the surrounding built environment. While most of his work portrays linear patterns, Salkin also explores organic motifs such as coral. His dedication to pattern and repetition secured him a spot in Western Exhibitions's biennial, traditionally focused on a prevailing theme occurring in the larger art world. "
Underlying System Is Not Known"
examines the current trends in repetition and pattern. While this theme is traditionally linked with abstract painting, Salkin introduces elements of structure, geometry, angularity, labyrinths, grids, and architecture through his textiles and interior embellishments.
In February of 2017, Salkin work was exhibited at Chicago’s Western Exhibitions where his pieces both stood alone and served as a stage for Hubbard Street Dance performances. Salkin has also worked with Chicago-based Document Space and the Volume Gallery, which focuses on emerging American designers.
