Beth Edwards
Beth Edwards is known for contemporary still-life painting with sensuous, metaphorical realism. Referencing historical vanitas paintings, she re-invents the genre through a saturated palette, magnified cropping, and confrontational scale of her subjects. Her masterfully painted compositions can be read much like an intricate medieval tapestry: every detail of light, shadow, subject, and negative space is considered equally regardless of its actual visibility. Through this heightened immediacy, depictions of seemingly innocuous or straightforward moments in everyday life take on much deeper significance, complexity, and mystery. Meditative scenes of flowers and plants symbolize a magnificent yet vulnerable ephemerality and certainty of death. Portraits of dolls and familiar toys, often set in narrative environments, explore the animate and inanimate spheres of life, fabricated versions of reality, and society’s never-ceasing search for happiness.
Beth Edwards was born in Alabama and lives and works in Memphis. She received a BFA from the Tyler School of Art in Philadelphia and an MFA from Indiana University. The daughter of a painter and arts educator, Edwards has had an active 30-year career painting, exhibiting and teaching. She has taught painting at the University of Memphis since 2000 and is the recipient of many awards, grants, commissions, and residencies. Edwards …
Beth Edwards is known for contemporary still-life painting with sensuous, metaphorical realism. Referencing historical vanitas paintings, she re-invents the genre through a saturated palette, magnified cropping, and confrontational scale of her subjects. Her masterfully painted compositions can be read much like an intricate medieval tapestry: every detail of light, shadow, subject, and negative space is considered equally regardless of its actual visibility. Through this heightened immediacy, depictions of seemingly innocuous or straightforward moments in everyday life take on much deeper significance, complexity, and mystery. Meditative scenes of flowers and plants symbolize a magnificent yet vulnerable ephemerality and certainty of death. Portraits of dolls and familiar toys, often set in narrative environments, explore the animate and inanimate spheres of life, fabricated versions of reality, and society’s never-ceasing search for happiness.
Beth Edwards was born in Alabama and lives and works in Memphis. She received a BFA from the Tyler School of Art in Philadelphia and an MFA from Indiana University. The daughter of a painter and arts educator, Edwards has had an active 30-year career painting, exhibiting and teaching. She has taught painting at the University of Memphis since 2000 and is the recipient of many awards, grants, commissions, and residencies. Edwards has had solo exhibitions at David Lusk Gallery in Memphis, Tennessee (2015); Tennessee Arts Commission Gallery in Nashville (2012); Mallory and Wurtzburger Gallery in Memphis, Tennessee (2009); St. Louis Community College in Missouri (2008); Southeastern Louisiana University in Hammond (2005); Mitchell Museum at Cedarhurst in Mt. Vernon (2004), and more. She has also participated in a number of group shows across the United States.
Courtesy David Lusk Gallery
