William S. Burroughs
An innovative writer and artist in many media, William Seward Burroughs II was a primary figure of the Beat Generation. Burroughs went on to deeply influence a wide swath of culture and thought with dozens of books and hundreds of paintings, essays, spoken-word performances and multi-media collaborations.
A Harvard graduate, Burroughs followed his fascinations through the underworlds and subcultures of international cities including Tangiers, Paris, New York, London, Chicago, New Orleans, Vienna, Dubrovnik, Budapest, Athens, and Mexico City. Allen Ginsberg and Jack Kerouac were key figures in his life and early literary career. Teaching him to ‘see’ paintings, Brion Gysin was fundamental to Burroughs’ artistic development and shared with him such techniques as the ‘cut-up’, calligraphy, and painting with an engraved wallpaper roller. Other important collaborators include Keith Haring, Robert Rauschenberg, George Condo, Philip Taaffe, Antony Balch, Ian Sommerville, Robert Wilson, Tom Waits, and Kurt Cobain.
In 1981, Burroughs moved his home to Lawrence, Kansas, where he began to make shotgun art. He went on to develop a wide range of painting techniques. From 1982 until his late years, he prolifically created visual art. Burroughs’ work has since been featured in over fifty international galleries and museums including Royal Academy …
An innovative writer and artist in many media, William Seward Burroughs II was a primary figure of the Beat Generation. Burroughs went on to deeply influence a wide swath of culture and thought with dozens of books and hundreds of paintings, essays, spoken-word performances and multi-media collaborations.
A Harvard graduate, Burroughs followed his fascinations through the underworlds and subcultures of international cities including Tangiers, Paris, New York, London, Chicago, New Orleans, Vienna, Dubrovnik, Budapest, Athens, and Mexico City. Allen Ginsberg and Jack Kerouac were key figures in his life and early literary career. Teaching him to ‘see’ paintings, Brion Gysin was fundamental to Burroughs’ artistic development and shared with him such techniques as the ‘cut-up’, calligraphy, and painting with an engraved wallpaper roller. Other important collaborators include Keith Haring, Robert Rauschenberg, George Condo, Philip Taaffe, Antony Balch, Ian Sommerville, Robert Wilson, Tom Waits, and Kurt Cobain.
In 1981, Burroughs moved his home to Lawrence, Kansas, where he began to make shotgun art. He went on to develop a wide range of painting techniques. From 1982 until his late years, he prolifically created visual art. Burroughs’ work has since been featured in over fifty international galleries and museums including Royal Academy of the Arts, Centre Pompidou, Guggenheim Museum, New Museum, Irish Museum of Modern Art, Los Angeles County Museum, and Whitney Museum of American Art.
Courtesy of October Gallery
