Elizabeth Peyton

Friends coming over to admire the latest addition to your collection? Here's what to say about the artist's work to visitors

The celebrated curator and director of White Columns shares his thoughts on his favorite works from Artspace’s exclusive preview of NADA’s upcoming art fair in New York, opening March 2nd.

Artspace editor-in-chief Andrew M. Goldstein toured the aisles in search of the choicest treasures in this year's very weird edition of the fair.

With an intimate perspective, Hoptman reflects on the characters and ideas that brought the medium from critical disdain to its current popularity.

In this interview with Artspace's Dylan Kerr, the longtime champion of contemporary painting gives a fascinating glimpse behind the scenes of her influential work.

Artspace editor-in-chief Andrew M. Goldstein spoke to the renowned exhibition-maker about why the ancient art form remains strikingly relevant in the digital era.

A filmmaker whose shimmery pink aesthetic has influenced creative industries far and wide has taste worth emulating. See which artists she collects.

The Vancouver transplant says that while Berlin's moment may be over, there's a lot to love about her adopted city.

In an interview with Karen Rosenberg, the dealer, curator, and impresario gives Artspace a preview of his collaboration with Larry Gagosian in Miami, the latest iteration of his New York gallery, and other upcoming projects.

The New Museum's Associate Director and Director of Exhibitions picks his favorite publications from Phaidon's catalog.

We spoke to the curator and author about his views on why the depiction of the body in painting has become a phenomenon in new art yet again.

the Brussels-based connoisseur speaks about his dissatisfactions with the current gallery system, and where he thinks contemporary art will be in 2150.

We spoke to the critic and scholar about the complex condition of painting, the decline of criticism, and what cliche about the medium drives him up the wall.

We spoke to the renowned patron of emerging artists on how he first got into collecting, why he's troubled by today's art market, and the responsibilities that come with the power to make markets.

We spoke to the White Columns director about his role in shaping New York's most artist-directed art fair, and how his curatorial approach arose from the music clubs of the gritty Manchester scene.

In “Come as You Are,” a new survey at the Montclair Art Museum, the developments of the latest decade to elicit mass nostalgia get their due.

We broke out a few key statistics from the week's record-breaking sales, from the newest market stars to the most surprising twists.

In his latest column, Walter Robinson shares what it's like to deal with all the attention one gets from being at the heart of an international art maelstrom.