David Hammons

Here are 8 galleries—from young artist-run project spaces to big commercial enterprises—that make Detroit a not-to-miss art destination.

This year at NADA, we've noticed a handful of emerging women artists whose works are feminist in a way you might not expect.

For the latest in our interview series around Phaidon's Vitamin P3 compendium of contemporary painting, Artspace’s Loney Abrams met the voluble artist to discuss his experience as a rare black artist in the '70s downtown scene, and his secre

With the dust settled, what did we learn from the auctions? Some things will surprise you.

The high-profile Darrow Contemporary director and former New Museum curator weighs in on the works that he'll be drooling over at this year's fair, on view May 5-8 at Basketball City.

The celebrated American artist gives a fascinating and in-depth interview to curator Okwui Enwezor in this excerpt from her just-released Phaidon Contemporary Artist Series monograph.

Artspace caught up with the Mexican photographer to find out more about his life as an artist, including upcoming projects, political leanings, and love of mezcal.

In honor of his upcoming retrospective at Mnuchin Gallery, we've excerpted this essay one of the heroes of American art from Phaidon's Defining Contemporary Art.

From a South Korean master of venetian blinds to one of the most influential (and mysterious) African-American artists of our time, here are the shows the art world is buzzing about this month.

The collectors of, and advocates for, contemporary art by African American artists give Artspace's Karen Rosenberg a tour of their Lower Manhattan apartment.

Artspace’s Dylan Kerr gained an audience with the near-mythical artist to discuss the aesthetics of automatic hand sanitizers, Spongebob-as-readymade, and why she’s bringing Shrek to Material.

The conceptual photographer discusses how these disparate artists changed and challenged his ideas on the body in art.

On the occasion of the release of Phaidon’s Body of Art, the incisive artist explains why the physical process of art making can be as illuminating as the finished artwork itself.

In advance of her new show at Mitchell-Innes and Nash, the artist gave Karen Rosenberg a tour of her studio to reveal the latest development in her process.

In an interview, the connoisseurial Upper East Side dealer on de Kooning, the differences between Wall Street and the art world, and his debt to a remarkable gallerist.

The grandson of Alexander Calder shares a few of his favorite artworks at the fair, unearthing marvels from the past century and across the globe.

In his latest column, Walter Robinson considers a new show of work by black artists in light of the diversity of the Whitney Biennial, and the art world in general.